Mousse Magazine featured ‘Web 3.0 Aesthetics: In the Futur Post-Hype of the NFT’s (a NFT trilogy curated by Annka Kultys for LaCollectionio).
Continue reading “MOUSSE MAGAZINE | 12 December 2022”MISA.ART | 18 August 2021
Annka Kultys has been interviewed by Anika Meier for Misa.Art on how she has come to collect and promote works by digital natives and how Annka Kultys Gallery is like Duchamp’s boîte en valise.
Continue reading “MISA.ART | 18 August 2021”
FOUNDATION.APP | 25 June 2020
Lindsay Howard, curator and Head of Community at Foundation, has interviewed Signe Pierce, represented by Annka Kultys Gallery since 2017, to coincide with the groundbreaking launch of the Foundation platform, for which Pierce has created its first-ever NFT.
Continue reading “FOUNDATION.APP | 25 June 2020”
THE MANUAL | 18 May 2020
Signe Pierce is noted in “10 Contemporary Artists You Need to Know” by The Manual, alongside Damian Hirst, Takashi Murakami, Cindy Sherman, Julianna Huxtable, Rashaad Newsome, Jeff Koons, Richard Prince, and Virgil Abloh.
Continue reading “THE MANUAL | 18 May 2020”
21ST CENTURY DIGITAL ART | 28 March 2020
An extensive survey of American Reflexxx, Signe Pierce and Allie Coates’ video work, has been published on 21st Century Digital Art. The article exposes a thorough analysis of the video, underlining the visual and thematic influences that inspired it and the social and political issues it unveils.
Continue reading “21ST CENTURY DIGITAL ART | 28 March 2020”
COMPOSE YOURSELF | 16 December 2019
Signe Pierce’s performance at Art Basel Miami has been singled out as an “epic highlight” of the entertainment programme.
Continue reading “COMPOSE YOURSELF | 16 December 2019”
THE GUARDIAN | 6 December 2019
Signe Pierce has been mentioned in The Guardian for her music performance in Miami, Florida, during Art Basel Miami. Pierce performed her new music single Do You Wanna Be Alive? together with exhibitions by well-known artists and DJs Grimes, Sophie and Nina Kraviz.
Continue reading “THE GUARDIAN | 6 December 2019”
UNIVERSIDADE DE LISBOA FACULDADE DE BELAS-ARTES| 31 October 2019
Signe Pierce has been the subject of an in-depth university paper on nostalgia in the post-internet era (article in Portuguese).
Continue reading “UNIVERSIDADE DE LISBOA FACULDADE DE BELAS-ARTES| 31 October 2019”
PLASTIK MAGAZINE | 3 October 2019
Signe Pierce has sat down for a candid interview with Ralph Arida of Plastik Magazine to discuss the current state of pop culture and fine art.
Continue reading “PLASTIK MAGAZINE | 3 October 2019”
FRÄULEIN | 2 October 2019
Signe Pierce has been commissioned by Fräulein to contribute an image for an article on contemporary floral photography (article in German).
Continue reading “FRÄULEIN | 2 October 2019”
TALES OF TABOO | 2 October 2019
Signe Pierce has been interviewed on the “Tales of Taboo” podcast series about living in the Matrix, the perks of being ‘lowbrow,’ and how to use overt sexuality to communicate intellect (if you want).
Continue reading “TALES OF TABOO | 2 October 2019”
MOUSSE | 24 June 2019
Signe Pierce has been interviewed by Alice Bucknell in MOUSSE Magazine, where the writer and artist discuss Pierce’s self-definition as a ‘reality artist’ in an increasingly digital and virtual field, on the occasion of her new show at Annka Kultys Gallery.
Continue reading “MOUSSE | 24 June 2019”
BAUHAUS 100 | June 2019
Signe Pierce’s new essay, “15 Million Minutes of Fame”, exploring the role of art in our current era of hyperconnection, has been published on Bauhaus 100 in the occasion of the art movement and school’s centenary.
Continue reading “BAUHAUS 100 | June 2019”
MUSÉE MAGAZINE | 10 June 2019
In an interview for Musée Magazine, Signe Pierce has spoken with Lara Pan about her video works and series of distorted, liquid selfies, as well as her mantra “I’ll do anything for art”.
Continue reading “MUSÉE MAGAZINE | 10 June 2019”
MUS.ER.ME.KU | 14 May 2019
On the occasion of her solo exhibition REFLEXXXIONS at EIGEN + ART Lab in Berlin, Signe Pierce has been interviewed by the German, online magazine mus.er.me.ku (article in German).
Continue reading “MUS.ER.ME.KU | 14 May 2019”
DESIGN YOUR TRUST | 18 February 2019
A new article on Design Your Trust explores Signe Pierce’s use of Instagram and of her characteristic neon, hyper-saturated aesthetic.
Continue reading “DESIGN YOUR TRUST | 18 February 2019”
NOT FOR REAL | 20 January 2019
Not for Real has written an article on the collaboration between Flora Miranda and Signe Pierce (article in German).
Continue reading “NOT FOR REAL | 20 January 2019”
THE DEVI | 2019
Signe Pierce and Alli Coates’ American Reflexxx (2013) has been the subject of an article on The Devi, which investigates its continuing importance over 5 years later.
Continue reading “THE DEVI | 2019”
NUMERO TOKYO | 28 November 2018
Yumiko Sakuma has written an article for Numero TOKYO’s 127th issue that speaks about Signe Pierce and her oeuvre as a reality artist (article in Japanese).
Continue reading “NUMERO TOKYO | 28 November 2018”
OFFICE | 28 October 2018
Gallerist Nathalie Halgand spotlights Signe Pierce as the next rising star in the art world in an interview with Office Magazine.
Continue reading “OFFICE | 28 October 2018”
ARTNET NEWS | 16 October 2018
Artnet News has reviewed the The Museum of Pizza’s pop up exhibition, including Signe Pierce and Emma Stern’s Pizza Vortex, calling it “a wild 3-D animation projected and reflected in mylar mirrors, famous sculptures and pop culture icons swirling around in a portal that opens up into pizzas past, present, and future”.
Continue reading “ARTNET NEWS | 16 October 2018”
VICE | 16 October 2018
VICE has reviewed the The Museum of Pizza’s pop up exhibition, including Signe Pierce and Emma Stern’s Pizza Vortex, labelling it “a hypnotic 3D-animated pizza tunnel that ricochets off the walls of the reflective room that encases it”.
Continue reading “VICE | 16 October 2018”
DAILY LAZY | 9 October 2018
Signe Pierce’s performative contribution A glitch in the echo chamber of big sister’s cave to ANTI, the 6th Athens Biennale, has been featured on Daily Lazy.
Continue reading “DAILY LAZY | 9 October 2018”
WALL STREET JOURNAL | 24 September 2018
Multimedia artists Signe Pierce and Emma Stern have contributed a “Pizza Vortex,” a fluorescent black-light room featuring a 3-D video installation, to the The Museum of Pizza, scheduled to be open from 13 – 28 October 2018.
Continue reading “WALL STREET JOURNAL | 24 September 2018”
LEIPZIGER VOLKSZEITUNG | 21 August 2018
Leipziger Volkszeitung has mentioned Signe Pierce and Molly Soda in a piece on the group exhibition Virtual Normality: Netzkünstlerinnen 2.0 at the MdbK in Leipzig in which both artists feature (article in German).
Continue reading “LEIPZIGER VOLKSZEITUNG | 21 August 2018”
I-D | 2 August 2018
Signe Pierce has been featured in an i-D article on contemporary culture’s obsession with neon across all forms of visual culture.
Continue reading “I-D | 2 August 2018”
BROADLY / VICE | 18 June 2018
Broadly/VICE has published a new feature by Signe Pierce, which also includes a new series of digitally-manipulated photographs by the artist straddling the divide between technology and biology.
Continue reading “BROADLY / VICE | 18 June 2018”
REFINERY 29 | 8 June 2018
Signe Pierce has been commissioned by Refinery 29 to photograph pop music artist Kali Uchis for The Come Up series, which highlights inspirational female artists.
Continue reading “REFINERY 29 | 8 June 2018”
¡AH! MAGAZINE | 5 May 2018
Spanish magazine !Ah! has profiled Signe Pierce in an article which describes the relationship between Pierce’s signature hyper-saturated aesthetic, feminism and the current state of digital culture (article in Spanish).
Continue reading “¡AH! MAGAZINE | 5 May 2018”
CACTUS DIGITALE | 1 May 2018
Cactus has included works by Signe Pierce in Issue 06 of its print magazine.
Continue reading “CACTUS DIGITALE | 1 May 2018”
LAZY OAF | 28 April 2018
In a new guide to the city, London-based blog Lazy Oaf has listed Annka Kultys Gallery as its contemporary art choice.
Continue reading “LAZY OAF | 28 April 2018”
ART LINK ART | 26 April 2018
Chinese platform ArtLink Art has featured Metamirrorism, Signe Pierce’s solo show at Annka Kultys Gallery, on its list of shows to see (article in Chinese).
Continue reading “ART LINK ART | 26 April 2018”
SELFRIDGES | 26 April 2018
The Selfridges Eye, a new editorial project focusing on individuals who challenge conventions and defy expectations, has featured Signe Pierce’s solo show at Annka Kultys Gallery, Metamirrorism.
Continue reading “SELFRIDGES | 26 April 2018”
OPEN MINDED | 25 April 2018
French publication Open Minded has profiled Signe Pierce (article in French).
Continue reading “OPEN MINDED | 25 April 2018”
FAD | 15 April 2018
In a listing of the top shows this week, FAD has named Signe Pierce’s solo show at Annka Kultys Gallery Metamirrorism as one of its top picks.
Continue reading “FAD | 15 April 2018”
LONDONIST | 9 April 2018
In a round-up of “shows to see now,” critic Tabish Khan lists Metamirrorism as one of the top shows in London.
Continue reading “LONDONIST | 9 April 2018”
THE ART PARTNERS | 8 April 2018
The Art Partners, a collector’s service and criticism blog, has included Signe Pierce’s solo show Metamirrorism at Annka Kultys Gallery in a weekly digest of the best cultural events in London.
Continue reading “THE ART PARTNERS | 8 April 2018”
HUNGER | 6 April 2018
In an ode to floral photography, Hunger TV lists Signe Pierce as one of its favourite photographers of flowers, which were last shown in her first solo show, Faux Realities, at Annka Kultys Gallery.
Continue reading “HUNGER | 6 April 2018”
FORBES | 5 April 2018
Tamara Al-Mashouk has named Signe Pierce in relation to rockstar artists in the age of social media as part of an interview with Forbes.
Continue reading “FORBES | 5 April 2018”
THE LEIPZIG GLOCAL | 31 March 2018
The Leipzig Glocal writer Maeshelle West-Davis has reviewed Virtual Normality — Women Net Artists 2.0, a group show at Museum der bildenden Künste, Leipzig featuring works by Signe Pierce.
Continue reading “THE LEIPZIG GLOCAL | 31 March 2018”
ARTLYST | 31 March 2018
In his round-up of top April shows, critic Paul Carey-Kent adds Signe Pierce’s Metamirrorism, on view at Annka Kultys Gallery through 28th April.
Continue reading “ARTLYST | 31 March 2018”
TEETH | 30 March 2018
Lara Monro of Teeth Magazine has interviewed Signe Pierce about technocracy, ‘cyberfeminism’ and her new solo show Metamirrorism, on view at Annka Kultys Gallery.
Continue reading “TEETH | 30 March 2018”
DREAM IDEA MACHINE | 29 March 2018
Signe Pierce’s new solo exhibition at Annka Kultys Gallery, Metamirrorism, has been listed in Dream Idea Machine’s round up of March shows internationally.
Continue reading “DREAM IDEA MACHINE | 29 March 2018”
ELLE ITALIA | 28 March 2018
In a new article examining the current generation of women net artists, Elle Italia reviews Virtual Normality – Women Net Artists 2.0 at Museum der bildenden Künste, Leipzig, specifically citing the the work of Signe Pierce and Molly Soda (article in Italian).
Continue reading “ELLE ITALIA | 28 March 2018”
TIME OUT | 26 March 2018
TimeOut has reviewed Metamirrorism, Signe Pierce’s second solo show at Annka Kultys Gallery.
Continue reading “TIME OUT | 26 March 2018”
VOGUE ARABIA | 22 March 2018
Vogue Arabia has previewed Marzook’s Fall 2018 collection, photographed by Eli Rezkallah, in collaboration with Signe Pierce.
Continue reading “VOGUE ARABIA | 22 March 2018”
PLASTIK STUDIOS | March 2018
Plastik Studios has featured a photo story on Eli Rezkallah and Signe Pierce’s collaboration for Marzook.
Continue reading “PLASTIK STUDIOS | March 2018”
DROOL | 15 March 2018
Drool Creatives has featured Signe Pierce’s upcoming solo show Metamirrorism.
Continue reading “DROOL | 15 March 2018”
WELT | 10 March 2018
Welt author Rahel Zingg has featured Signe Pierce in an article about young artists’ use of social media to combat societies standards of acceptability (article in German).
Continue reading “WELT | 10 March 2018”
SPEX | 9 March 2018
Signe Pierce was interviewed by Sarah Ulrich for German publication Spex for her involvement in the group show Virtual Normality – Women Net Artists 2.0 at Museum der bildenden Künste Leipzig. You can read the full interview here.
ART RABBIT | 7 March 2018
Signe Pierce’s upcoming exhibition at Annka Kultys Gallery, Metamirrorism has been listed in Art Rabbit’s “The Best of Spring in London: Our Top Contemporary Art Picks.”
Continue reading “ART RABBIT | 7 March 2018”
STUDIO INTERNATIONAL | 24 February 2018
Lisa Moravec has written a review of Virtual Normality – Women Net Artists 2.0, a group show Museum der bildenden Künste in Leipzig that includes the works of Molly Soda and Signe Pierce. Describing Soda’s contribution to the exhibition, Moravec writes: “Molly Soda’s sound-video installations show her in her private spaces, acting in a casual manner in front of her virtual audience. In That’s Me in the Corner (2017), she sings along with pop music numbers for about 30 minutes. We can see that the live audience on Instagram is watching her, but whether shewatches the audience, is not clear as she continues to look straight ahead, smiling from time to time.” To read the full review, click here.
FOOD REPUBLIC | 21 February 2018
Signe Pierce has been interviewed by Food Republic about her role in the design of the David-Lynch-inspired Rose Gold, a new bar in Brooklyn, New York.
Continue reading “FOOD REPUBLIC | 21 February 2018”
STERN | 20 February 2018
Hamburg-based news magazine Stern has reviewed Virtual Normality – Women Net Artists 2.0 at Museum der bildenden Künste Leipzig, which features work by Signe Pierce (article in German).
Continue reading “STERN | 20 February 2018”
INDIE | 20 February 2018
In order to gauge public opinion of Virtual Normality – Women Net Artists 2.0, a group show at MdbK Leipzig curated by Anika Meier, Indie Mag has gathered responses from visitors to the museum about the current state of feminism today in this unique review of the exhibition.
Continue reading “INDIE | 20 February 2018”
SPIEGEL | 10 February 2018
In a new column, Spiegel writer Sibylle Berg uses Signe Pierce’s American Reflexxx as a starting point for a wider conversation about the relationship between immediacy, tolerance, self-control and bigotry in the modern world (article in German).
Continue reading “SPIEGEL | 10 February 2018”
MONOPOL | 4 February 2018
In a new article about female artists in the time of social media, writer and curator Anika Meier discusses the work of Signe Pierce, Molly Soda, and Arvida Byström in the context of the changing nature of female identity as mediated by digital technology (article in German).
Continue reading “MONOPOL | 4 February 2018”
FLUTER | 3 February 2018
Marlene Halser has written a review of Virtual Normality – Women Net Artists 2.0, featuring work by Signe Pierce, at Museum der bildenden Künste Leipzig (article in German).
Continue reading “FLUTER | 3 February 2018”
DRØME | 2 February 2018
Marianne Abbott has interviewed Signe Pierce for DRØME Magazine about the contrast between harsh aggression and soft femininity in her work.
Continue reading “DRØME | 2 February 2018”
OFFICE | 2 February 2018
John Martin Tilley has interviewed Signe Pierce for Office Magazine about her presentation of American Reflexxx at New Release Gallery in New York City.
Continue reading “OFFICE | 2 February 2018”
i-D | 30 January 2018
i-D Deutschland has reviewed Virtual Normality – Women Net Artists 2.0, an exhibition at Museum der bildenden Künste Leipzig featuring the works of Molly Soda, Signe Pierce and Arvida Bystöm (article in German).
Continue reading “i-D | 30 January 2018”
DIE ZUKUNFT | 26 January 2018
Michael Meyns has written a review of Virtual Normality – Women Net Artist’s 2.0, a new group show at Museum der bildenden Künste Leipzig that includes the work of Molly Soda, Signe Pierce and Arvida Byström (article in German).
Continue reading “DIE ZUKUNFT | 26 January 2018”
LES INROCKUPTIBLES | 25 January 2018
Les Inrockuptibles has reviewed Virtual Normality: Women Net Artists 2.0 at Museum de bildenden Künste Leipzig, including works by Molly Soda, Signe Pierce and Arvida Byström (article in French).
Continue reading “LES INROCKUPTIBLES | 25 January 2018”
HUNGER TV | 24 January 2018
Signe Pierce has been listed by Hunger TV as one of “five female visual artists to follow right now” alongside peers Juno Calypso, Maisie Cousins, Alice Joiner and Alice Skinner.
Continue reading “HUNGER TV | 24 January 2018”
THE EYE OF PHOTOGRAPHY | 24 January 2018
The Eye of Photography has reviewed the work of Signe Pierce in Virtual Normality: Women Net Artists 2.0 at MdbK Leipzig.
Continue reading “THE EYE OF PHOTOGRAPHY | 24 January 2018”
THE ART GORGEOUS | 22 January 2018
The Art Gorgeous has reviewed One Year of Resistance, a group show at Untitled Space in New York City featuring artworks that were created in reaction to the current American political climate under Donald Trump’s presidency.
Continue reading “THE ART GORGEOUS | 22 January 2018”
NEW RELEASE | 20 January 2018
SIGNE PIERCE in
AMERICAN REFLEXXX
20 JANUARY – 11 FEBRUARY 2018
New Release, NEW YORK, USA
WIDEWALLS | 19 January 2018
Swiss art magazine Widewalls has reviewed One Year of Resistance, a group show at Untitled Space in New York City reflecting on the political climate after a year of Donald Trump’s presidency that includes photographic work by Signe Pierce.
Continue reading “WIDEWALLS | 19 January 2018”
LIBÉRATION | 19 January 2018
Signe Pierce has been profiled by French outlet Libération for her involvement in Virtual Normality – Women Net Artist’s 2.0 at Museum der bildenden Künste Leipzig (article in French).
Continue reading “LIBÉRATION | 19 January 2018”
KUNSTMARKT | 17 January 2018
Jan Soldin of Kunstmarkt has reviewed Virtual Normality – Web Artists 2.0, a new group show at MdbK Leipzig featuring the works of Molly Soda, Arvida Byström and Signe Pierce (article in German).
Continue reading “KUNSTMARKT | 17 January 2018”
INTERVIEW | 12 January 2018
Interview reviews Virtual Normality – Web Artists 2.0: a new group show at MdbK Leipzig featuring works by Signe Pierce and Molly Soda (article in German).
Continue reading “INTERVIEW | 12 January 2018”
DETEKTOR.FM | 12 January 2018
Detektor FM has reviewed Virtual Normality – Web Artists 2.0, an exhibition of women net artists curated by Anika Meier at MdbK Leipzig, including works by Signe Pierce (article in German).
Continue reading “DETEKTOR.FM | 12 January 2018”
MITTELDEUTSCHER RUNDFUNK | 12 January 2018
Mittledeutscher Rundfunk (MDR) features the work of Molly Soda and Signe Pierce in a short review of Virtuality Normality – Web Artists 2.0, a group show at MdbK Leipzig.
Continue reading “MITTELDEUTSCHER RUNDFUNK | 12 January 2018”
SPIEGEL | 11 January 2018
Spiegel author Angela Gruber writes on Virtual Normality, the upcoming group exhibition at Museum der bildenden Künste Leipzig featuring the work of artists Signe Pierce, Molly Soda, and Arvida Byström (article in German).
Continue reading “SPIEGEL | 11 January 2018”
DEUTSCHE WELLE | 11 January 2018
Deutsche Welle reviews Virtual Normality – Women Net Artist’s 2.0, the upcoming group show at Museum der bildenden Künste, Leipzig featuring works by Signe Pierce, Molly Soda, and Arvida Byström among others.
Continue reading “DEUTSCHE WELLE | 11 January 2018”
HUNGER TV | 11 January 2018
Signe Pierce was interviewed by Hunger TV about her contribution to the upcoming group exhibition ONE YEAR OF RESISTANCE, reflecting critically on the first year of Donald Trump’s presidency, on view at Untitled Gallery in New York.
Continue reading “HUNGER TV | 11 January 2018”
GIRL TALK HQ | 10 January 2018
Girl Talk HQ previews Untitled Gallery’s upcoming exhibition, ONE YEAR OF RESISTANCE, which will include photographic work by Signe Pierce; the show will survey more than 80 artists responding to the American political climate in the post-Trump era.
Continue reading “GIRL TALK HQ | 10 January 2018”
AM NEW YORK | 9 January 2018
ONE YEAR OF RESISTANCE, the upcoming group show featuring work by Signe Pierce at Untitled Gallery in New York, is the subject of an article by AM NY.
Continue reading “AM NEW YORK | 9 January 2018”
ART FUSE | 5 January 2018
Art Fuse has previewed the upcoming group exhibition ONE YEAR OF RESISTANCE, responding to the first year of Donald Trump’s presidency, and featuring work by Signe Pierce.
Continue reading “ART FUSE | 5 January 2018”
TIME | 31 December 2017
Signe Pierce’s portrait of Aubrey Plaza, included in the 21 August issue of Time Magazine for the story “Aubrey Plaza’s Status Update,” has been selected as one of the best portraits of 2017.
Continue reading “TIME | 31 December 2017”
ARCHITECTS NEWSPAPER | 28 December 2017
Audrey Wachs reports on the opening of Galeria Melissa, an upscale boutique in New York City designed by Muti Randolph and featuring a video installation by Signe Pierce, for Architects Newspaper.
Continue reading “ARCHITECTS NEWSPAPER | 28 December 2017”
BUSHWICK DAILY | 19 December 2017
Bushwick Daily writer Darragh Dandurand reports on the opening of Rose Gold, a new cocktail bar in New York built under the creative direction of Signe Pierce and Safwat Riad.
Continue reading “BUSHWICK DAILY | 19 December 2017”
OFFICE | 5 December 2017
Signe Pierce has unveiled a new media theory manifesto installation, Metamedia Sculpture (2017), at the Adidas Prophere launch party.
Continue reading “OFFICE | 5 December 2017”
MONOPOL | 1 December 2017
Anika Meier mentions both Molly Soda and Signe Pierce in her latest article “Es darf sich geärgert werden” for Monopol, describing the current state of net art and digital feminism (article in German).
Continue reading “MONOPOL | 1 December 2017”
NYLON MAGAZINE | 23 November 2017
Signe Pierce is included in Nylon Magazine’s collection of Thanksgiving thoughts from the Queer community.
Continue reading “NYLON MAGAZINE | 23 November 2017”
PAPER MAGAZINE | 18 November 2017
Signe Pierce took part in Paper Magazine’s “Friendsgiving” dinner with “underground dining sensation” Wolvesmouth.
Continue reading “PAPER MAGAZINE | 18 November 2017”
ART SLANT | 15 November 2017
Christian Petersen has included Signe Pierce and Alli Coates’ work, American Reflexxxx, in his Web Wednesday review of the Wrong Biennale.
Continue reading “ART SLANT | 15 November 2017”
ARTSY | 6 November 2017
Signe Pierce has been interviewed by Alice Bucknell in her latest editorial for Artsy, “A Brief History of the Color Pink,” which traces the history of the rosy shade.
Continue reading “ARTSY | 6 November 2017”
THE WRONG BIENNALE | 1 November 2017
Christopher Clary, in collaboration with Eyebeam, has included works by Amalia Soto (Molly Soda) and Signe Pierce in his exhibition SAFE for the Wrong Biennale. Probing the concept of safe space in networked culture, the show asks questions about the validity and expression of trauma online. To view the online exhibition, click here.
WOMEN’S WEAR DAILY | 26 October 2017
WWD has announced that Signe Pierce will be included in a line up of artists participating in a fundraiser for victims of Hurricane Maria in Puerto Rico.
Continue reading “WOMEN’S WEAR DAILY | 26 October 2017”
VICELAND | 14 October 2017
VICELAND programme SLIDESHOW has interviewed Signe Pierce about her series Faux Realities (2017), which recently showed at Annka Kultys Gallery.
Continue reading “VICELAND | 14 October 2017”
DER STANDARD | 9 October 2017
Signe Pierce is included in an article by Anika Meier about the practice of Instagram artists published by Der Standard (article in German).
Continue reading “DER STANDARD | 9 October 2017”
ART MAZE INTERNATIONAL | 31 August 2017
Art Maze International’s critic, Christina Nafziger, has reviewed Signe Pierce’s exhibition Faux Realites.
Continue reading “ART MAZE INTERNATIONAL | 31 August 2017”
CREATORS | 30 July 2017
Signe Pierce’s work is on show at ‘The Future of Her’ by Galeria Melissa in New York.
Continue reading “CREATORS | 30 July 2017”
MONOPOL | 1 July 2017
In concurrence with her first solo show at Annka Kultys Gallery, Monopol has profiled ‘reality artist’ Signe Pierce (article in German).
Continue reading “MONOPOL | 1 July 2017”
AESTHETICA | 29 June 2017
Aesthetica Magazine has reviewed Signe Pierce’s first solo show at Annka Kultys Gallery, Faux Realities.
Continue reading “AESTHETICA | 29 June 2017”
FAD | 25 June 2017
FAD has named Signe Pierce’s show at Annka Kultys Gallery as one of the “Top 8 Art Exhibitions to see this week in London.”
Continue reading “FAD | 25 June 2017”
LONDONIST | 23 June 2017
Signe Pierce’s exhibition Faux Realities at Annka Kultys Gallery was included in Londonist’s Things To Do Today in London: Friday 23 June, 2017.
Continue reading “LONDONIST | 23 June 2017”
THIS IS TOMORROW | 22 June 2017
Signe Pierce’s exhibition at Annka Kultys Gallery has been reviewed by Alice Bucknell for This is Tomorrow.
Continue reading “THIS IS TOMORROW | 22 June 2017”
MOUSSE | 16 June 2017
Signe Pierce’s exhibition Faux Realities at Annka Kultys Gallery has been featured by Mousse magazine.
Continue reading “MOUSSE | 16 June 2017”