ANNKA KULTYS GALLERY

ANNKA KULTYS PHYGITAL

!MEDIENGRUPPE BITNIK

21 SEPTEMBER 2026 — SINE FINE

TALK: !MEDIENGRUPPE BITNIK IN CONVERSATION WITH RACHEL FALCONER — END NOVEMBER (date to be confirmed)
(Address upon booking)

ANNKA KULTYS GALLERY

KARIN SANDER

9 OCTOBER — 5 DECEMBER 2026

ANNKA KULTYS GALLERY presents a programme of online and VR exhibitions, augmented by invitation-only private events, and occupies a singular position within London’s contemporary art landscape as a commercial gallery dedicated entirely to digital, new-media, and technology-engaged artistic practices.

Unlike institutions or immersive venues that incorporate digital art episodically, ANNKA KULTYS GALLERY has embedded digital practice at the core of its curatorial, commercial, and intellectual identity since its inception in 2015.

ART FAIRS

ART FAIR | MIAMI 2026

UNTITLED 2026 |
SIGNE PIERCE
in Special Projects: Overseen by Damîen Dakota

VIP Preview (by invitation)
Tuesday, 1 December 2026
10am—4pm

Open to the Public:
Wednesday, 2 December, 11am—7pm
Thursday, 3 December, 11am—7pm
Friday, 4 December, 11am—7pm
Saturday, 5 December, 11am—7pm
Sunday, 6 December, 11am—6pm

Booth: tbc
Ocean Drive and 12th Street, Miami Beach, FL

INQUIRE PREVIEW

ANNKA KULTYS GALLERY will present ELECTROTEXTURE, a presentation of seven short moving-image works by American artist Signe Pierce, drawn from her ongoing series ELECTROTEXTURE (2014–ongoing). Captured on her iPhones as she moves between cities including New York, Mexico City, Los Angeles and London, the works record fleeting optical phenomena produced when neon light encounters reflective surfaces: puddles, airport vitrines, car bodies, glass and polished metal. Pierce’s subject is not the city itself, but the heightened visual reality that appears momentarily within it. The presentation will be augmented by a daily live performance by Signe Pierce at the booth.

Signe Pierce is an American artist who draws on a multimedia suite of image-making techniques with a postdigital technicolour palette, to explore notions of gender, identity, and the dissolving boundary between simulation and the real. Pierce delves deeply into the impact of digital culture on contemporary life, often blending elements of performance, photography, video art, and more recently music to create immersive experiences. By juxtaposing vibrant, hyperreal visuals with critical commentary, Pierce art not only highlights societal constructs but also challenges viewers to question their perceptions of reality and the influence of technology on self-expression.

Artist’s page →

COLLECT

DISCOVER, EXPLORE AND COLLECT EXCEPTIONAL ART | ONLINE VIEWING ROOMS

SIGNE PIERCE | OVR

JONAS LUND | OVR

LOUISA CLEMENT | OVR

SASHA STILES | OVR

IN THE MEDIA

PRESS HIGHLIGHTS

Jonas Lund’s booth at NADA Miami 2024 selected amoung three best booth by The Wall Street Journal. In the article ‘Pleasing if Placid Waters’ the author Brian P. Kelly notes: ‘The usually eye-catching art fair had plenty of solid work, but only a handful of truly standout presentations. Annka Kultys Gallery’s booth with conceptual works by Jonas Lund delicately balanced humor and seriousness in its exploration of the benefits and potential downsides of new advances. His AI-animated video imagined a dystopian existence where artificial intelligence holds the promise of immortality and what that means both for humanity and the companies that wield the tools of its future..’ →

Sasha Stiles on how technology renews our relationship with storytelling’ by Katie Peyton Hofstadter. The writer notes: ‘By collaborating with an AI that is based on various machine-learning models and customized with training materials such as her own poetry, voice, notes, and research materials, Stiles envisions a future for poetry that honors the medium’s timeless traditions, while also leveraging the creative potential and the distribution mechanisms of technocapitalism.’ →

J.J Charlesworth reviews Jonas Lund’s solo exhibition ‘In The Middle of Nowhere II’ at Annka Kultys Gallery for the Art Review, critically evaluating the artwork’s commentary on human relationships with AI within an economic context.The writer explains that Lund subverts the generic anxiety attached to these evolving technologies: ‘It’s not that generative AI is getting to be as good as human creativity, but that much human creativity produces artworks that are rote’. →

Sasha Stiles was recently interviewed by Tina Rivers Ryan for the ARTFORUM. Over the past year, Kalmyk American poet Sasha Stiles has become the public face of the burgeoning world of poetry NFTs. In her interview ‘Transcending digital dualism through networked poetry’ Sasha Stiles notes: ’I’ve been saying for a long time that poetry is code, and vice versa. All poets throughout history have used algorithm in the form of pattern and syntax to evoke feelings, call up memories, and achieve some kind of poetic immortality.’ →

Mimi Nguyen interviewed Robert Alice, Simon Denny, Carolina Mostert (Sotheby’s), Arthur Breitman (Tezos), and Annka Kultys (Annka Kultys Gallery) for Right Click Save, the first online magazine fully dedicated to drive critical conversation about art on the blockchain. Annka Kultys noted: ‘ It is essential that NFT art is contextualized within art history and its collectorship expanded to the traditional art world. Even today, there remains very little writing about the content of NFT art, though new publications are finally emerging to fill this void.’ →

The Financial Times has mentioned Annka Kultys Gallery as one of an “eclectic mix of early adopters” to have embraced digital art in an article on how London has become a crypto-art capital, written by Alex Estorick. The article explains the rise of London as an epicentre of the recent digital boom, within which digital art and boundary-breaking creative initiatives can flourish. →

Rachel de Joode, Berlin-based multimedia artist, has spoken to The Art Newspaper about her new works on show at Annka Kultys Gallery, interviewed by Olivia Gavoyannis. The author Olivia Gavoyannis notes: « De Joode’s focus on the interplay between the physical and the virtual is evident in the process behind the abstract paintings currently on show at Soft, her new exhibition at the Annka Kultys Gallery in London. » →